Sukanya Verma lists significant memories in our 1996 recap.
Filmistaan actor Sharib Hashmi looks back at his struggles.
Sukanya Verma lists her favourite frames from Hum Dil De Chuke Sanam.
It goes way beyond a fantastic team!
'The Maharashtra government diktat is another meddling example in an industry where politics or language has no role to play.' 'Cinema has a universal language. Filmmakers are divided across regions, but united in their passion for films,' says director Suparn Verma.
'Mumbai is very different from the rest of India. It can be ruthless if you don't have work or friends. The struggle time and times of disappointment are horrific and can break you.'
Sukanya Verma looks at the various baap-beti equations depicted on the screen.
Despite the poor technical support and the monotony, Radha Mohan's Uppu Karuvaadu leaves you with a smile, says S Saraswathi.
Aseem Chhabra looks at the year's best Non-Hindi Indian movies.
'Sanjay Leela Bhansali's historical characters behave as though they are already aware of the chapters that will be dedicated to them and the sonnets that will be written in their memory.' 'And yet, they talk relentlessly about making and remaking history.' 'Can anything be more superficial?' asks Sreehari Nair.
'There are times I have been rejected at the first stage of the film.' 'Also, accepted first and rejected later, along with when I was almost there, but the film did not happen.'
'You can say I kind of fit into the everyman role that Chetan Bhagat writes about.' 'It's an amazing compliment for me. Rather than play the hero, it is more about playing the character.' Arjun Kapoor discusses his movies and more.
To make a date fun and novel, ideally you must choose a partner from another generation, says Solene Paillet.
Aseem Chhabra is impressed by Rima Das's Bulbul Can Sing, Ritesh Batra's Photograph and eight other outstanding films.
'Mulk gets a lot of things right, including its vision of the country as a place where underneath the punctilious, forced-secular surface there are volatilities waiting to go off,' says Sreehari Nair.
'Unlike OK Kanmani, Kaatru Veliyedai lends itself to a classical form. It is very different from the previous film in tone, texture and scope.' Mani Ratnam discusses his latest film.
Skip Fifty Shades of Grey. Watch these well-made films recommended by Aseem Chhabra.
... you won't feel anything either.
A look at top 5 Tamil films of first half of 2016.
'What guides Monsoon Wedding through and through is Mira Nair's openness as a film-maker,' observes Sreehari Nair.
'When I was going through a bad phase, my fans would ask why I wasn't working.' 'I didn't have anything to say since no one was offering me work.'
'When a woman gets married, she leaves her village, her friends and family.' 'In her new home, she will make friends, but they can never replace those she left behind.'
Kannada actress Parul Yadav talks about working with Yograj Bhat in Vaastu Prakaara and her forthcoming projects.
Meet Bollywood fan Ranjit Dahiya. If you are in Mumbai, you can't miss his massive tributes to the industry that he loves.
Jaane Bhi Do Yaaro is one of the best and most uncompromised films of Indian cinema, says Sukanya Verma.
Dame Dench humanises the frumpy, myopic and overindulged Queen Victoria and the screen feels the warmth of the legendary actress's enthusiasm, says Sukanya Verma.
'As a director, I am happy to take the blame because that's mine but I get blamed for everything.' Anurag Kashyap gets candid.
'No woman should ever be subjected to any kind of misbehaviour, especially at her work place.'
Rang Rasiya is not a consistent film, but one that tells a story of a pioneering artist and visionary, a story decidedly worth telling, says Raja Sen.
Bhumi Pednekar, Radhika Apte, Manisha Koirala, Kiara Advani luminate Netflix's Lust Stories, notes Sukanya Verma.
'Apart from being total eye-candies, Saif and Shahid are very good actors. Saif is that classy man, who would open the door for you and pull chairs for you. Shahid would come to the sets with headphones on. He had a boyish charm.' Kangana Ranaut gets in Rangoon mode.
Rishi Kapoor passed into the ages on April 30.
'Great Grand Masti belongs to a super successful franchise and are Hindi cinema's best and most loved films. This film is much more on the naughtier, horror and comedy side.' Great Grand Masti heroine Urvashi Rautela discusses her latest film.
Noted lyricist Na Muthukuma talks about winning his second consecutive National Award win.
Befikre is a colossally stupid film, says Raja Sen.
